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In a thespian rendition of "The King namely die! Long live the King!" French high form has found a savior for haute couture. The cheers and tears that welcomed Jean-Paul Gaultier’s high fashion show Sunday — including some from the front-row guests Madonna and Gwyneth Paltrow — were no just for the fabulous dresses fashioned from plumes, assembled from neckties or cut to sculpt the body with a saucy plunge at the rear.
In a spring/summer 2002 season overshadowed at the retirement of Yves Saint Laurent, who holds his valedictory show Tuesday, the present polemic approximately couture’s hereafter was answered with a pert positive — and with the same flourish that Gaultier gave to a marrying dress established from ivy leaves or a pull-along voyage sack,
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"Haute couture has just been reborn I feel the same overwhelming affection like,0 when I at first,
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"The beneficiary to Yves Saint Laurent — that would be saying a lot, but it was always my dream to do true,0 haute couture and this is it," said Gaultier backstage in the faded grandeur of his fashionable headquarters that, in an indication of the designer’s conversion from fashion bad lad to establishment, ambition be leased to Prime Minister Lionel Jospin for his coming presidential war.
In this superb collection, Gaultier mastered couture techniques, tossing off tuxedos, mini black dresses and precision-cut jumpsuits, constantly shown above models of a certain age. But the designer had lost {none|no an,0} of his impertinence and sarcasm, showing slim outfits made of printed neckties, a jeans jacket snatched into pagoda sleeves or an evening robe namely frothed favor an upturned tutu.
His take was classic merely modern in the off-hand ######uality of dresses rising tall at the derriere,Christian Louboutin Shoes, tops nonchalantly swaying open and Naomi Campbell skulking the runway in a pencil-thin black skirt, a bejewelled French beret and only bangle-filled arms to cover her torso.
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