tree twigs are still beautiful

not think so easy ah, who said there was only homes.

I think I have forgotten you can slowly
1379

no matter who will one day be on a journey
burdened with sadness and scars in the travel of the other side

encounter looking for the answer

finally reached it

then I had left her. Also remember when he watched her in the snow shadow drifting away their tears when hope is not sad but still smiling. What scenery are not too vague, is still a clear and dazzling white, tree twigs are still beautiful, a little bit of people braved the white smoke on the chimney. Quiet people may feel the world is purely peaceful, as if everything is moving toward a more beautiful spring, if the tears will be blasphemed God is given the blessing of the world. So, to say the sound or take care of it.

1
World is so big,polo ralph lauren discount, do not know where to settle down, to be the last place. Last place. Agreement is and where his previous life. Grandma said that every person is the final settlement of the agreement he and his previous life for the community. Only get to peace of mind. Unfortunately, because of past lives there, so I hope to return there the next life to complete the dream it? Still restrain Jun said, I never thought about. That still restrain you believe this it? Believe. Only know it is winter,ralph lauren pas cher, when a man walks to see the girls walk, as the vast snow, only two people so I speak. At that time in the countryside,abercrombie and fitch france, one very cold winter determined to go out no one wants hair, no high-rise buildings and machinery in the open space is so tight wind blowing, nowhere to hide. But when the beautiful but also very rare, like the quiet village gradually became a picture, although the white is gorgeous everywhere the glory out. Most of the time have the sun, watching often feel my heart warm, it does not feel particularly cold.
These are Akiko said it. This season, she revealed the unusual jump for joy.
this, I have become good partners and Akiko.
fact only, and go to school, eat lunch together,polo ralph lauren homme, do duty, go home, and occasionally fills with homework.
There is snow in the winter can enjoy together, Akiko there with me through almost all parts of her life before all of the little quiet in the village, every corner has her memories. I have year after year, and listened to a lot. Do not know when it will disappear,louboutin, and then forget and not care about listening for a whim, asked her if she said it happened once, she was always dissatisfied Pie Piezui that still restrain how they forget the king, I am not said several times that? She then again repeated.
swing broken heart
But look you found me

buried in the debris of time


- snow rain

melting snow glistening in the night sky
overtaken by invitation on a journey of the blessings of the wind the wind

a wish in the forced separation of fetters in
where we met


May you smile all the way

stars disappeared in the other side www.anmi614.com/wenzhang/aiqingwenzhang.php?id=2550


among distant pain as if the desire to freeze

in the distant end of the world
touch odd? color
general at the moment as the snow quietly mind sharing

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quite a feeling people get good luck.

I was standing on the corridor

simple and grand city


Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."